Friday, October 31, 2008

Not Nearly Frightened Enough



Ode To Poe - oil on illustration board, 8" x 14". (Done for a McGraw-Hill elementary school-level  compendium of Poe works).

Being scared for the fun of it has never been my favorite past-time. I do understand that some people absolutely love it, and would probably give their left arm to be a real zombie (sorry, ha ha), but I've never equated such grimness with humor or lightheartedness. People such as Poe and Lovecraft were masters of the genre, and it's really hard to find any humor in their tales. That's the kind of scary that I appreciate more.

That said, I really feel like Halloween is for the kids. Costume parties for adults are fun and all, but leave this day for the little ones. They dress up all the time, and this is the one day where this creative impulse is rewarded - so let them get the glory... or sugar rush, as is the case.

Wednesday, October 29, 2008

Last Leaves


Autumn's Fallen - oil on illustration board, 14" x 16"

I found this marsh warbler dead after it presumably hit a shop window in town. I don't think anyone saw me pocket it, but if they did, I'm sure it made them wonder. I don't normally do still lifes, so this is an unusual painting for me in that respect, but the bird was such a cool thing to have on hand to study, I wanted to compose a full piece out of it. The rugosa roses were the last blooms of the season, so, with the leaves and the bird, the whole piece is really focused on the beauty of things as they pass on. Perhaps this beauty represents a glimpse of the glory of rebirth? As far as the natural world goes, these kinds of things click into place so beautifully.

I hadn't mentioned it before, but I've been back at drawing room a few times since the end of summer. This past Monday yielded a few good drawings, and I have some others from weeks prior that I like. I'll post them here soon. You can always come by the studio to see these new things if you're in the neighborhood, of course. There's a First Friday coming up on the 7th, where I should have a few new drawings up. I'll make a more formal post about that later.

This weekend looks good for me to have some serious studio time, finally. Hopefully I can make some headway with either this one small work that I have set up, or the study for the larger figurative project I've been going on about. We'll see which I am in the mood for, I guess.

Friday, October 17, 2008

Fire and Water



Laurelin - oil on panel, 14" square.

If you're familiar with Portland, you may recognize this tree. Autumn's fine colors are gorgeous this year, and have peaked this week on the southern Maine coast. If you're wondering at the name, you'll have to read the first part of "The Silmarillion" again, I'm afraid.

I have been in and out of the studio quickly these days, unable to put in a lot of time on any one project. There have been quite a few social and familial obligations to fulfill, and I was hoping for a slowdown this fall, but to no avail. Even so, I have concepted out quite a few paintings for the future, and I am through the preliminary setups on two of them. One is the study for the painting with Molly, the other is more akin to the series I'm off-shooting from the successful "She Dreams." I'm very excited about this stuff.

Again, I wonder a bit about the efficacy of doing these figurative works, but hey, I don't need to move them as fast as I would were a gallery asking me for paintings. I would be eschewing the figure for landscapes, no doubt. Not that there's anything wrong with pure landscapes - I enjoy painting them dearly - but, as I'd said before, my vision is leading me towards the figure. Since I currently have the wherewithal to entertain this direction, I'm going to go for it.

Monday, September 29, 2008

Figuring it out / FFAW October


Anna - Ebony pencil on paper, 14"x17"

Forgive the pun in the title, but the double meaning does have relevance, actually. I just sold the painting from this post, and it went to someone who really understood the piece. That makes it easier to let go. As I'd said in that post, I felt it was rather successful, and wanted to study people's reactions a bit more to really understand why. I think I know, and I'm undertaking a new tack in exploring this area. Obviously, it's figurative - specifically - female nudes in landscapes. But the intention is to make them more iconic, more allegorical without being terribly obvious about it. I'm sure there will be hits and misses in terms of what will make these pieces work, but I'm going to take a gamble.

Tonight is First Friday! Please come on by, if you can. I'll be there with wine and beer and you can drink and watch me draw. Entertainment and free drinks - does it get any better? :)

More info at www.firstfridayartwalk.com


Friday, September 12, 2008

Local Color


Apropos of my last post, I stumbled across this gem of a movie, slated to debut November 7th.

Finally, a film that celebrates REAL painting! I'm so excited to see this, you have no idea. I'm familiar with George Gallo's backstory, and I'm amazed that he's bringing it to life. I urge anyone who dreams of leading a creative life to see this movie.

Here's the official site for Local Color.

Lots of Bluster


Painting during a Nor'easter at Cape Neddick Point.

With the title of this post, you may think I'm referring to the current season of hurricanes, or perhaps even the political campaigns with which we are also being assaulted. But, no - no cleverness today. Turns out there are more readers of this blog than I realized (according to view counts), and because this is a public venue, I went through all my windy posts to make sure there was nothing too incriminating - about me or anyone else.

In all my long-windedness, I found nothing, save one niggling issue. Again and again, my candor about my art education always finds its way back to those who participated in it. As elliptical as I could be about things - such as names, for instance - my commentary still seems irksome to some, as if my intent is to offend and denigrate. Were that the case, I would try and do that to its fullest, Peter Schjeldahl-style.

But in all seriousness, for all the world to read, let me be clear on this: I absolutely value and appreciate all my teachers did for me. I would probably not have a career in art were it not for them. If you read the 3rd and 4th paragraphs of this post, I think it is understood that any shortcomings or stumbling blocks that I'd had after graduating were of my own making, due to my youthful naïveté. I readily admit to needing direction at that time, and I didn't seek it out as earnestly as I sought painting instruction. It was too much to hope, too expectant, to have someone come to my rescue. It would have been nice, but I have found through the years, that that kind of fortune rarely falls in my direction. And anyway, the ease of "nice" quite often does not yield anything of constructive value. It was D.I.Y. for me from then 'til now, and I believe that was the best way to form my artistic persona.

One corollary to all this: I taught at the BFA level, too, and I understand that as much as you can give to a student, it will never be all they need. It's impossible to provide that. However, it is one's duty to relay that very reality to the student because, at that point in their young lives, what you have projected upon them is all they know. The intangibles that the mentor carries are totally outside the realm of experience - as well as the understanding - of the novitiate. Just an insight into the fact that these intangibles exist and are essential for growth is enough direction for the otherwise hapless neophyte.

Friday, September 5, 2008

Color Study & FFAW



Color Study of Molly - oil on museum board 14" x 9".

This is from a 3-hour session. Another quick photo, sorry - there's glare coming off the wet paint. It is intentionally low contrast, though. You would think I would want a darker background so her pale skin tones would really pop, but I have a particular atmosphere in mind. I really didn't try very hard with her features or proportions, as you see. It's more comic-book scale here at 7 1/2 heads high or thereabout. Nevertheless, this is what I need for the bigger painting in terms of color. I wanted to work out the edge planes and flat light against the light neutral, as well as incorporate some of the atmosphere in the skin tones themselves. It was fun to do, and Molly is fun to work with. I hope to see her back this winter & I wish her the best in her cross country trek. I might need her anyway, should I run into trouble with the final piece.

Tonight is First Friday. Come by if you can!

More info at www.firstfridayartwalk.com