Monday, September 29, 2008

Figuring it out / FFAW October


Anna - Ebony pencil on paper, 14"x17"

Forgive the pun in the title, but the double meaning does have relevance, actually. I just sold the painting from this post, and it went to someone who really understood the piece. That makes it easier to let go. As I'd said in that post, I felt it was rather successful, and wanted to study people's reactions a bit more to really understand why. I think I know, and I'm undertaking a new tack in exploring this area. Obviously, it's figurative - specifically - female nudes in landscapes. But the intention is to make them more iconic, more allegorical without being terribly obvious about it. I'm sure there will be hits and misses in terms of what will make these pieces work, but I'm going to take a gamble.

Tonight is First Friday! Please come on by, if you can. I'll be there with wine and beer and you can drink and watch me draw. Entertainment and free drinks - does it get any better? :)

More info at www.firstfridayartwalk.com


Friday, September 12, 2008

Local Color


Apropos of my last post, I stumbled across this gem of a movie, slated to debut November 7th.

Finally, a film that celebrates REAL painting! I'm so excited to see this, you have no idea. I'm familiar with George Gallo's backstory, and I'm amazed that he's bringing it to life. I urge anyone who dreams of leading a creative life to see this movie.

Here's the official site for Local Color.

Lots of Bluster


Painting during a Nor'easter at Cape Neddick Point.

With the title of this post, you may think I'm referring to the current season of hurricanes, or perhaps even the political campaigns with which we are also being assaulted. But, no - no cleverness today. Turns out there are more readers of this blog than I realized (according to view counts), and because this is a public venue, I went through all my windy posts to make sure there was nothing too incriminating - about me or anyone else.

In all my long-windedness, I found nothing, save one niggling issue. Again and again, my candor about my art education always finds its way back to those who participated in it. As elliptical as I could be about things - such as names, for instance - my commentary still seems irksome to some, as if my intent is to offend and denigrate. Were that the case, I would try and do that to its fullest, Peter Schjeldahl-style.

But in all seriousness, for all the world to read, let me be clear on this: I absolutely value and appreciate all my teachers did for me. I would probably not have a career in art were it not for them. If you read the 3rd and 4th paragraphs of this post, I think it is understood that any shortcomings or stumbling blocks that I'd had after graduating were of my own making, due to my youthful naïveté. I readily admit to needing direction at that time, and I didn't seek it out as earnestly as I sought painting instruction. It was too much to hope, too expectant, to have someone come to my rescue. It would have been nice, but I have found through the years, that that kind of fortune rarely falls in my direction. And anyway, the ease of "nice" quite often does not yield anything of constructive value. It was D.I.Y. for me from then 'til now, and I believe that was the best way to form my artistic persona.

One corollary to all this: I taught at the BFA level, too, and I understand that as much as you can give to a student, it will never be all they need. It's impossible to provide that. However, it is one's duty to relay that very reality to the student because, at that point in their young lives, what you have projected upon them is all they know. The intangibles that the mentor carries are totally outside the realm of experience - as well as the understanding - of the novitiate. Just an insight into the fact that these intangibles exist and are essential for growth is enough direction for the otherwise hapless neophyte.

Friday, September 5, 2008

Color Study & FFAW



Color Study of Molly - oil on museum board 14" x 9".

This is from a 3-hour session. Another quick photo, sorry - there's glare coming off the wet paint. It is intentionally low contrast, though. You would think I would want a darker background so her pale skin tones would really pop, but I have a particular atmosphere in mind. I really didn't try very hard with her features or proportions, as you see. It's more comic-book scale here at 7 1/2 heads high or thereabout. Nevertheless, this is what I need for the bigger painting in terms of color. I wanted to work out the edge planes and flat light against the light neutral, as well as incorporate some of the atmosphere in the skin tones themselves. It was fun to do, and Molly is fun to work with. I hope to see her back this winter & I wish her the best in her cross country trek. I might need her anyway, should I run into trouble with the final piece.

Tonight is First Friday. Come by if you can!

More info at www.firstfridayartwalk.com